Monday, 1 December 2014

In the service of material culture, Galerie pompom, 'Sydney Painting Now', Nov 2014

Lynne Barwick, A zone in which events may be staged/On the matter of Anachronism, 2014, acrylic paint on birch, 2 panels: 40 x 30cm and 30 x 20cm. Photo: Felicity Jenkins
Lynne Barwick, Any subject recalled in text/This one is a provisional decoy, 2014, acrylic paint on birch, 2 panels: 40 x 30cm and 30 x 20cm. Photo: Felicity Jenkins

Saturday, 14 June 2014

Afterimage, Damien Minton Gallery, July 2014




Lynne Barwick, Like A Word Instead Of A Thing and Like A Token Memory, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins


Lynne Barwick, Like A Standard Inquisition and Like A Complicit Visual, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins

Lynne Barwick, Like A Discharged Subject and Like An Unregulated Sense, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins



Lynne Barwick, This In Place Of An Afterimage, 2014, acrylic paint on birch ply. 30 x 40cm. Photo: Felicity Jenkins


Lynne Barwick, A Platform For Sympathetic Resemblance, 2014, acrylic paint on birch ply. 30 x 40cm. Photo: Felicity Jenkins




Lynne Barwick, The Practised Distortion of Night To Day and As If No-one Was Looking, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins


Thursday, 22 May 2014

Like A Structured Language, Marrickville Garage, May 2014

Lynne Barwick, Like A Structured Language, 2014, soft pastel, installation dimensions variable. Photo: Felicity Jenkins
Lynne Barwick, Like A Structured Language, 2014, soft pastel, installation detail. Photo: Felicity Jenkins

Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins
Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins
Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins
Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins

Wednesday, 26 March 2014

Please do not ignore it, Redfern Biennale, March 8, 2014

Lynne Barwick, Please Do Not Ignore It, 2014, vinyl lettering on double-sided phonebox. Photo: Felicity Jenkins
Lynne Barwick, Please Do Not Ignore It, 2014, vinyl lettering on double-sided phonebox. Photo: Felicity Jenkins

The Redfern Biennale was a one-day, site-specific and ephemeral art event in Redfern, in conjunction with Damien Minton Gallery

Friday, 28 February 2014

Scrivener, Articulate Project Space, 'LOST' exhibition, Feb 2014


Lynne Barwick, Scrivener, 2014, acrylic paint, linen on board, wood, 420mm (h) x 775mm (w). Photo: Felicity Jenkins

Sunday, 9 February 2014

As is all space expanded, Jeffrey Stewart's kitchen cupboard door commission, 2014



Lynne Barwick, As If All Space Expanded, acrylic paint on wood, 2014. 250mm (h) x 400mm (w). Installed in Jeffrey Stewart's kitchen along with cupboard doors painted by Ron Adams and Chris Dean. Allan Booth's assemblages and collected objects are visible on top of the cupboard. Photo by India Zegan.