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Lynne Barwick, Desperate Algorithms, 2018, digital file from artist book in progress |
Lynne Barwick
Wednesday, 2 May 2018
Friday, 17 March 2017
Cartoons of the atomic scientists, 2017
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Lynne Barwick, Cartoons of the Atomic Scientists, 2017, acrylic paint on birch panels, variable dimensions, each panel 30cm x 20cm. Photo: Felicity Jenkins |
Saturday, 26 November 2016
Melancholia Finger Bet, 2016
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Lynne Barwick, Melancholia Finger Bet, 2016, acrylic paint on birch panels, variable dimensions, each panel 30cm x 20cm. Photo: Felicity Jenkins |
Monday, 20 June 2016
Mechanical climate, Marrickville Garage, 'Worm', June 2016
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Lynne Barwick, Mechanical Climate, 2016, permanent marker on whiteboard, 75 cm x 50cm. Curated by Philipa Veitch. Photo: Felicity Jenkins |
Sunday, 1 May 2016
Wednesday, 1 July 2015
Protocol Malady, 55 Sydenham Rd, June 19 - July 5, 2015
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Lynne Barwick, Protocol Malady installation shot, 2015. Curated by Nick Strike. Photo by Felicity Jenkins. |
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Lynne Barwick, Protocol Malady installation shot, 2015. Curated by Nick Strike. Photo by Felicity Jenkins. |
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Lynne Barwick, Protocol Malady installation, Notice of intent to alleviate images and A pact for representative maladies, 2015. Curated by Nick Strike. Photo by Felicity Jenkins. |
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Lynne Barwick, Protocol Malady installation shot, 2015. Curated by Nick Strike. Photo by Felicity Jenkins. |
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Lynne Barwick, Protocol Malady installation. Dedicated to the stagecraft of data, 2015. Curated by Nick Strike. Photo by Felicity Jenkins. |
Labels:
55 Sydenham Rd,
Alleviate Images,
artist,
Lynne Barwick,
Material Lubricant,
Nick Strike,
Optical Colony,
Protocol Malady,
Representative Maladies,
Stagecraft of Data,
Stealing Cows by Thinking of Milk
Tuesday, 3 March 2015
Affiliated Text
A year-long gallery project of text-based exhibition and events, co-curated by Lynne Barwick and Bronia Iwanczak, launches on Friday March 6th at 33 Roslyn Street, Kings Cross, Sydney.
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Notes to a Future Feminist Archive, Affiliated Text exhibition # 1, installation shot. Photo credit: Felicity Jenkins |
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Notes to a Future Feminist Archive, Affiliated Text exhibition # 1, installation shot. Photo credit: Felicity Jenkins |
Many thanks to Gavin Harris at Cross Art + Books for hosting the project.
Monday, 1 December 2014
In the service of material culture, Galerie pompom, 'Sydney Painting Now', Nov 2014
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Lynne Barwick, A zone in which events may be staged/On the matter of Anachronism, 2014, acrylic paint on birch, 2 panels: 40 x 30cm and 30 x 20cm. Photo: Felicity Jenkins |
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Lynne Barwick, Any subject recalled in text/This one is a provisional decoy, 2014, acrylic paint on birch, 2 panels: 40 x 30cm and 30 x 20cm. Photo: Felicity Jenkins |
Saturday, 14 June 2014
Afterimage, Damien Minton Gallery, July 2014
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Lynne
Barwick, Like A Word Instead Of A Thing and Like A Token Memory, 2014,
acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins
|
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Lynne
Barwick, Like A Standard Inquisition and Like A Complicit Visual, 2014,
acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins
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Lynne Barwick, Like A Discharged Subject and Like An Unregulated Sense, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo: Felicity Jenkins |
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Lynne
Barwick, This In Place Of An Afterimage, 2014, acrylic paint on birch ply.
30 x 40cm. Photo: Felicity Jenkins
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Lynne
Barwick, A Platform For Sympathetic Resemblance, 2014, acrylic paint on birch ply.
30 x 40cm. Photo: Felicity Jenkins
|
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Lynne
Barwick, The Practised Distortion of Night To Day and As If No-one Was
Looking, 2014, acrylic paint on birch ply. Each panel 30 x 40cm. Photo:
Felicity Jenkins
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Thursday, 22 May 2014
Like A Structured Language, Marrickville Garage, May 2014
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Lynne Barwick, Like A Structured Language, 2014, soft pastel, installation dimensions variable. Photo: Felicity Jenkins |
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Lynne Barwick, Like A Structured Language, 2014, soft pastel, installation detail. Photo: Felicity Jenkins |
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Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins |
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Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins |
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Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins |
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Lynne Barwick, Like A Structured Language, 2014, installation detail. Photo: Felicity Jenkins |
Wednesday, 26 March 2014
Please do not ignore it, Redfern Biennale, March 8, 2014
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Lynne Barwick, Please Do Not Ignore It, 2014, vinyl lettering on double-sided phonebox. Photo: Felicity Jenkins |
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Lynne Barwick, Please Do Not Ignore It, 2014, vinyl lettering on double-sided phonebox. Photo: Felicity Jenkins |
Friday, 28 February 2014
Scrivener, Articulate Project Space, 'LOST' exhibition, Feb 2014
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Labels:
Articulate Project Space,
LOST,
Lynne Barwick art,
Scrivener
Sunday, 9 February 2014
As is all space expanded, Jeffrey Stewart's kitchen cupboard door commission, 2014
Friday, 20 December 2013
Phantasy Island, Damien Minton Gallery, 'One Night Stand', 22nd Dec, 2013
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Lynne Barwick, Phantasy Island, 2013, acrylic paint on linen board, wooden shelves. Installation dimensions: 954mm (h) x 1266mm (w). Photo: Felicity Jenkins |
Tuesday, 10 December 2013
Nature: An Enquiry, Articulate Upstairs, Nov 2013
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Lynne Barwick, Nature: An Enquiry, 2013, acrylic paint on linen board, acrylic paint on wooden shelf. Dimensions: 522mm (w) x 270mm (h) x 45mm (d) Photo: Felicity Jenkins |
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Lynne Barwick, A Hierarchy of Hunger, 2013, acrylic paint on linen board, wooden shelf. Dimensions: 222mm (w) x 320mm (h) x 45mm (d). Photo: Felicity Jenkins |
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Lynne Barwick, Signs & Wonders 1, 2013, acrylic
paint on linen board, acrylic paint on wooden shelf. Dimension: 400mm (w) x
280mm (h) x 45mm (d). Photo: Felicity Jenkins
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Lynne Barwick, A Placeholder For Community, 2013, acrylic on linen board, wooden shelf, plinth. Dimensions: 497mm (w) x 1325mm (h) including plinth. Photo: Felicity Jenkins |
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Lynne Barwick, Cornered Parameters, 2013, acrylic on linen board, acrylic on wooden shelves. Dimensions of each panel: 203mm (w) x 205mm (h) Photo: Felicity Jenkins |
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Lynne Barwick, Articulate Upstairs, 'Closer' exhibition, 2013: Nature: An Enquiry, install shot. Photo: Felicity Jenkins |
Wednesday, 29 May 2013
Our hearts to scale, Artspace Open Studio, The Gunnery, Sydney, 14-15 June 2013
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Lynne Barwick, Our Hearts To Scale (In Pixels), 2013, acrylic on linen board, feathers. Installation dimensions: 1170mm (h) x 1850mm (w) Photo: Felicity Jenkins |
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Lynne Barwick, Three Measures, Two Propositions and a Capitulation, (detail) 2013, acrylic on linen board, found chair. Photo:Felicity Jenkins |
Tuesday, 5 February 2013
Ornamental Grammar, Damien Minton Gallery, Sydney, February 2013
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Ornamental Grammar (for Arthur & Martin), 2012-2013, acrylic on canvas and linen boards, 2100mm width x 1200mm height. Photo by Eamonn. |
Labels:
Arthur Stace,
Eternity,
Lynne Barwick,
Martin Sharp,
ornamental Grammar (for Arthur and Martin)
Thursday, 10 January 2013
My shadow reckoning, Drawing Room, Sydney, 'Recycled Dreaming', October 2012
Labels:
Bronia Iwanczak curator,
I Am A Revenant Host,
Lynne Barwick art,
My Shadow Reckoning,
Recycled Dreaming
Friday, 17 August 2012
Baroque Essay 1, 2020 exhibition, Damien Minton Annex, curated by Robert Lake
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